Recent writing

On technique, materials, and artists.

  • Should you sketch before watercolour painting? A decision guide

    Use a light pencil plan when placement matters, and paint directly when movement matters more than exact outlines.

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  • Watercolour colour mixing for beginners: a clear place to start

    A first mixing strip with two paints you already own, showing how proportion, water and drying change the colour.

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  • How to keep whites in watercolour without using white paint

    Plan the lightest shapes first, then choose between painting around them, masking, lifting or a small opaque accent.

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  • How to fix watercolour mistakes without overworking the paper

    A way to assess a watercolour mistake by the paint’s moisture stage, choose the gentlest useful correction and know when the paper has had enough.

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  • Watercolour supplies for beginners: what each one is for

    You can begin with a few colours, suitable paper, one brush and a plate. Here is what each supply does, and when the rest is worth adding.

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  • How long to wait between watercolour layers

    There is no reliable number of minutes between watercolour layers. The look and feel of the paper give a better answer than the clock.

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  • How much water to use in watercolour: palette, brush and paper

    There is no fixed ratio of water to paint. Judge the mixture, the brush and the paper by sight, then record your own paints with a strength strip.

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  • Watercolour palettes compared: plastic, metal and porcelain mixing surfaces

    Plastic, enamelled metal and porcelain palettes behave differently. Choose by mixing visibility, weight, cleaning and where you paint.

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  • Mop vs quill vs round watercolour brushes

    Mop, quill and round brushes overlap, but their construction changes capacity, control and the marks they favour.

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  • Watercolour brush sizes explained: what the numbers really tell you

    Brush size numbers are relative, not universal. Learn how to compare dimensions, capacity and marks instead.

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The Letter

New writing from the site, the occasional material recommendation, and brief notes on painting. Sent monthly, nothing more.

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